- JOE ALL THE THINGS (DEEPER LONGER) ALBUM COVER MODS
- JOE ALL THE THINGS (DEEPER LONGER) ALBUM COVER PROFESSIONAL
- JOE ALL THE THINGS (DEEPER LONGER) ALBUM COVER SERIES
with the only saving grace being this half-chuckle of a title. that's really unworthy of concluding such an important album. These jams are meandering, musically pointless filler material. Here's how the rest lined up on our list of All 141 George Harrison Solo Songs Ranked From Worst to Best.
JOE ALL THE THINGS (DEEPER LONGER) ALBUM COVER SERIES
We also skipped fragments like "A Bit More of You," which is only a reprise of the hit "You," and "It's Johnny's Birthday," which is only a snippet from a series of Side Five and Six-concluding jams on All Things Must Pass. Left out were a pair of early experimental albums, 1968's Wonderwall Music and 1969's Electronic Sound, since they weren't really song-based recordings. But we also included Traveling Wilburys songs in which Harrison played a key vocal role – either as main singer for the verses or bridge – since he was the de facto leader of that group. Tracks from those projects play a prominent role in the following list of All 141 George Harrison Solo Songs Ranked Worst to Best. In fact, three of his most celebrated albums followed some of his lowest moments: All Things Must Pass (after the Beatles imploded), Thirty Three and 1/3 (after everything else did) and Cloud Nine (after giving up on music altogether). There was a moment in the early-'80s where he simply lost his touch.īut, as always, light chased away the dark.
JOE ALL THE THINGS (DEEPER LONGER) ALBUM COVER PROFESSIONAL
There was a moment in the mid-'70s, as his personal and professional lives took a tumble, where he became darkly morose. We can’t wait to read your comments bonus points for identifying the bikes.Occasionally, he took it too far: Some of the songs were simply too big, some of the homilies too preachy, some of those loving looks back a bit too twee. Submitted for your approval: The top 10 motorcycle-related rock ‘n’ roll album covers.
JOE ALL THE THINGS (DEEPER LONGER) ALBUM COVER MODS
Mods and rockers, biker gangs and heavy metal, Prince and Purple Rain – well, you get the picture. They’ve got a lot in common, motorcycles and rock ‘n’ roll, and as a result they’re forever inextricable. Hell, volume – everyone knows, the louder they are, the better both sound. It’s not hard to understand the bond: cool, sleek, hard and fast, the two art forms share many of the same qualities. “Build Me Up, Buttercup” had segued into “Born to be Wild,” and by the time the ’70s arrived, everything was all In-A-Gadda-Da-Vida.Įver since, motorcycles have ridden on the edge of the mainstream.
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Vietnam, equal rights, peace and love – rock ‘n’ roll was the soundtrack to an era in discord, and Captain America and his stars-and-stripes motif embodied the authority-questioning, pot-smoking hippie culture parents hated. Songs (and hair) got longer and dirtier, and rock (and bikes) got louder and faster.
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Long-playing “record albums” – large, flat discs made of “vinyl” that one would spin on a “record player” – allowed musicians to pop the three-minute bubble and explore darker, more adult themes like sex, drugs and civil rights. But even by the time these counterculture flicks successfully frightened the living crap out of the establishment and made the chopper a symbol of everything wrong with America, FM radio had begun to nudge the bubblegum out of rock ‘n’ roll. Then, as everybody knows, the stupid hippies went and screwed everything up.ĭespite their roots in hot rod culture, choppers – lionized in films like Born Losers, The Wild Angels and, of course, Easy Rider – became an unwitting icon of the Woodstock generation. “Da Do Run Run” was the theme of the day motorcycles and rock cruised alongside Gidget and Frankie Avalon, and life was all Incense and Peppermints. In the ’60s, clean-cut Beach Boy-knockoff bands such as The Kickstands and The Hondells flirted with the mainstream using a tasty blend of surf rock and motorsickle lyrics on tracks like “ Death Valley Run.” Parents, for some reason, didn’t find these pretty harmonies and catchy melodies about drag racing and outrunning cops nearly as offensive as the pretty harmonies and catchy melodies sung by British lads in daring moptops. Ever since The King threw his leg over his ’56 Harley-Davidson and the Black Rebels rolled into Carbonville, the combination of motorcycles and rock have been as combustible as gas and spark.Įarly moto-rock lived for the most part on the fringes of pop music, in the pomped-up rockabilly of guys like Eddie Cochran and Gene Vincent.